RICHARD BEAUDOIN
Lecturer in Music, Dartmouth College
46 Hopkins Center for the Arts
Hanover, NH 03755
richard.a.beaudoin@dartmouth.edu
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image credits: homepage — portrait by Justin Hoke; music — detail from French paper with marbling (public domain); piano music — Meta 2: painting by Andrae Green; Debussy and Texier; Monk: William Gottlieb; Lesende: Gerhard Richter; Pollini DG Cover: Paolo Gianbarberis; reorganization of Kandinsky's "Sky Blue" by Ursus Wehrli; Latticed window in the south gallery of Lacock Abbey, Wiltshire, Aug 1835: William Henry Fox Talbot; detail from Der Zeichner des liegenden Weibes: Dürer ca. 1527; Nature morte avec du lait et des fruits (National Gallery of Art): Cézanne; Überschach 1937: Paul Klee; Berlino istantanee: Batsceba Hardy; solo music — Ménade dansante: Museo Capitolini; La Nébuleuse 1939, Raoul Ubac; Alfred Cortot: photographer unknown; pencil drawing of Hölderlin by Luise Keller 1842 from David Constantine, Hölderlin; detail from Ferdinand David Violinschule 1864; chamber music — Glenn Gould; Rollenabspielmechanismus eines Welte-Reproduktionsklavieres (Roll mechanism of a Welte-Mignon reproducing piano) 1927; Le Erato: Eustache Le Sueur; Eupalinos: Paul Valéry; from Vollard Suite 1933: Picasso; Chopin/Norwid Op. 74, no. 1: Polish National Museum, Warsaw; detail from Distortion No. 172 (1933): André Kertész; detail from Glenn Brown The Real Thing, 2000, Oil on panel, 82 x 66.5 cm, ©2012 Glenn Brown; empty chairs for string quartet courtesy Kreutzer Quartet; image based on woodcut of Josquin des Prez; Wilhelm Trübner: Alice Trübner, the Artist's Wife, on the Garden Bench (public domain); large ensembles — photograph of Claire Chase by Roane; still image from L'Ange 1983: Patrick Bokanowski; detail from Degas: La Coiffure 1896; Richard Estes: Thom McAn 1974; detail from Philip Larkin by Humphrey Ocean 1984 (National Portrait Gallery); pencil drawing by Thomas Mann; detail from Michael Stubbs: Grideye Motivator, 2010, household paint and floor varnish on MDF, 153cm x 122cm; songs — Fotografie vom Eingang des Geburtshauses von Paul Celan in Czernowitz 2011 (Mehlauge 2011); detail from cover of Roland Barthes' S/Z; photograph of Yeats by Alice Broughton; cottages at Darsham, Suffolk: Trevor Alder; photo courtesy of Guido Gerzoni; painting of Heine by Moritz Daniel Oppenheim; photograph of Christa Wolf from The New Yorker, 13 December 2011; detail from Georges de la Tour: Job and his Wife (Musée Départemental des Vosges); Mondrian: Grey Tree 1911; Pushkin: Drawing (self-portrait), ca. 1825; cover of Eunoia by Christian Bök (Coach House Books, 2001); Goya: "La velocidad y el atrevimiento de Juanito Apiñani en el anillo de Madrid" from Caprichos (1799); Man Ray: Nusch Éluard; opera — Rilke in Austrian military uniform (unknown photographer); detail of illustration by Maurice Sendak for the 1995 Kraken edition of Melville's 1852 novel Pierre; production photographs of Himmelfahrt by Sebastian Müller, Staatstheater, Kassel; choral — detail of portrait of Seamus Heaney by Colin Davidson; detail of William Carlos Williams by Hugo Gellert, Crayon, ink and pencil on paper, c. 1930 (National Portrait Gallery, Smithsonian Institution); about — portrait by Justin Hoke; academics — Thomas Ratcliffe: Dyer's record book (1812-23), Smithsonian Design Museum; works-in-progress — still image from Olivier Laric's Versions; image of Neil Heyde by Leif Johansson 2009; Fotografie vom Eingang des Geburtshauses von Paul Celan in Czernowitz 2011 (Mehlauge 2011); Glenn Gould testing Steinways 1957; photograph of Clarie Chase by Mark Perlish Photography; recording — detail from Glenn Brown The Real Thing, 2000, Oil on panel, 82 x 66.5 cm, ©2012 Glenn Brown; Kreutzer Quartet by Richard Bram; Potton Hall by Mark Knoop; Mark Knoop by Yatzek; Backwards Glance covers by Max Vtiourin; Constantine Finehouse by Frank Curran; photographs of The Artist and his Model by Stephen Petegorsky; reviews — detail from Wiktor Brodzki: Pierwsze podszepty miłości; concerts — photograph courtesy Kreutzer Quartet; musicians — Cézanne: La Jeune Fille au piano, ou L'Ouverture de Tannhaüser (1869), The Hermitage; All artist photos from their own websites; Mark Knoop by Yatzek; Annika Sophie Ritlewski by Laura Kern; Constantine Finehouse by Frank Curran; Chiara Quartet by Lisa-Marie Mazzucco; Joseph Kaiser by Dario Acosta; Annette Dasch by Monika Lawrenz

RICHARD BEAUDOINLecturer in Music, Dartmouth College46 Hopkins Center for the ArtsHanover, NH 03755richard.a.beaudoin@dartmouth.edusend email

RICHARD BEAUDOIN
Lecturer in Music, Dartmouth College
46 Hopkins Center for the Arts
Hanover, NH 03755
richard.a.beaudoin@dartmouth.edu
send email